industry is beginning to talk through some of its long-held ways of working

previously worked together on Kore-eda’s 2018 Cannes Palme d’Or winner “Shoplifters” and upcoming Netflix

that when he filmed 2019 drama “The Truth” in France, he discovered that 40% of the crew

were made for those with small children, including day-care

“a system completely instituted in the whole society

schedules of Japanese film shoots, with ten days for a two-hour film common, make anything

be better if everyone had more time to sleep and spend with their families,” Matsuoka

raised was the all-too-common use of verbal and physical abuse

she had never seen “anyone yell or say something scary” on Kore-eda’s shoots

said that had come to dislike raised voices on the set when he made his