'Singapore Film Festival Embraces Thematic Programming, Patient on LGBT
Embraces Thematic Programming, Patient on LGBT
Organizers of
the 33rd edition of the Singapore International Film Festival are naturally keen to prove that
Thong Kay
Wee, in his first full year as program director, has also been keen to put
That effort
has been embodied by a widening of the Asian-themed festival’s geographical catchment area and
“When I
came in, I wanted to break the geographical mold of how curation is done
So, I
thought through them in terms of where you will position things,” Thong told Variety
This year’s
lineup stretches to 101 films (features and shorts) from 50 countries, to play out over 11 days
The thematic
structure now arranges titles according to six different categories: Altitude, Foreground, Horizon, Undercurrent, Standpoint and
Foreground, says
Thong, comprises accessible, top of mind, festival films
Thong’s new
Altitude section is the highbrow pen for Asia’s leading auteurs, making significant films
Titles here
include: Hong Sang-Soo’s “The Novelist’s Film”; Jafar Panahi’s Cannes title “No Bears,”
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